My busy life involves balancing studio work with arts administration and advocacy for other artists. Pursuing drawing in a regularized way has always been an unrealized goal. That’s because drawing requires making time to stop, listen and be present in the moment. My ticker is set to always being on the move.
Last fall, before I accepted the position of President of the Surface Design Association, I had a serious talk with myself. I’d need to make a serious commitment to work-life balance or be swallowed up by administration and regret. But SDA is my homebody group and helping it develop and thrive in the future is important to me. So, just in the way that I took on careful planning for SDA and Iowa Artisans Gallery, for which I work part time and am a co-owner, I decided to plan my studio life. In addition to creating works for the wall, I’d start a drawing series. I’d do it during the week, on several of my admin days. And so I have. Today’s blog post is an update on that process, with 21 drawings into the collection.
Drawing has curious consequences. It teaches me to be more fearless. Taking risks is required, yet not risky. It doesn’t really matter. Drawing rests and re-sets the rational brain. This is helpful in the life of an administrator.
Some days, nothing gels. On those, it’s important to make the habit, to just keep going. I’ll work in my sketchbook, on paper, on fabric with matte medium, or on canvas with gesso, using pencil, brush and ink, watercolors, sticks, and acrylic paints. How about cut-up blue jeans or other clothing? That’s next. Sometimes attempt #8 leads me in a new direction. If nothing else, I can always tear up your paper and try again.
One other curious consequence: drawing allows me to acquire experience rather than always holding on to objects. Best to surround one’s self with the objects that hold meaning. The others? Draw them, commit them to deep, multi-sensory memory, and pass them along.
Stay tuned- more to come.