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My new years’ gift to myself: do the one studio thing I had the greatest need and drive for, starting to draw on a more regular basis. Along came The Sketchbook Project (see my October 18 post on drawing) with just enough deadline and incentive to make me finally commit. The result is not brilliant, but it’s done, and it’s opened my inner eye.

Here’s what I wrote about my experience:
Most artists I know wish they would draw more. I started drawing in college and for two years, it was all I wanted to do. Then I took up printmaking (markmaking!) and eventually, textiles.

In my textile work, I do a lot of printing and monoprinting- I love color and music and spontaneous expression. Drawing is the act of listening to the world around you, of being an observer as opposed to a participant. Damn it, it requires a lot of patience and concentration. It is meditative.

So, now that I have time to be more of an observer, it is time to draw again, to relearn, to connect hand, eye and head. I also wanted to learn to use sumi ink wash techniques; the world is not all black and white- there’s lots of grey. The sketchbook project gave me the kick in the pants to get this rolling. Being intimidated by the first page, I decided to start in the middle. I also did my drawing in 3 separate sketchbooks each session, to loosen me up and let me try varying papers and approaches. Sometimes I included those other drawings in the Official Sketchbook.